Blazing Reader,
As promised in yesterday's post, here is Jordan Henderson's explanation for why he relied so heavily on words instead of images in his latest painting, "Contraindications":
As to why I went ahead and broke the show don't tell rule (a rule with which I am in general agreement):
Well, on second thought, mostly actually I did want to show, not tell; I wanted to show protestors carrying signs with... slogans of their own choosing.
The idea being to juxtapose different feel-good progressive slogans to highlight contradictions in their prescriptions for society.
But protest signs generally tell rather than show. I mean, they write slogans on their signs, so really, I would argue that I'm showing them telling you with their signs.
The only area I would say where I directly tell the viewer, rather than show the protestors telling the viewer, is with the "2 + 2 = 5" and "War is Peace" signs. That was straight-up editorializing on my part, which I hesitated on but decided to do after showing the mock-up to a few people who didn't get that I was criticizing the protestors, because the slogans are so common [that] it didn't even phase them. They were just used to hearing progressives talk like that. So they were looking at my preliminary sketches and thinking, "Okay, a painting of a bunch of protesters, carrying signs for popular social justice causes, and...?"
So those "2 + 2 = 5" and "War is Peace" signs I put in to tip off the unsuspecting viewer who might think this painting is just a value-neutral portrayal of a protest, that I'm showing them something else about it.
Too bad Jordan couldn't have just painted a protest sign with a square circle.
But maybe that's exactly why he had to use so many words to convey the message behind "Contraindications." Words can be manipulated a lot more easily than visual reality.
John C.A. Manley
P.S. If you missed my review of Jordan's painting, you can check it out here: Why I'm disappointed with "Contraindication" (Jordan Henderson's latest sociopolitical painting)
P.P.S. Did you know that Jordan Henderson is the reincarnation of George Cruikshank — the man who illustrated the first edition of Oliver Twist? Here's the sketchy evidence.
John C. A. Manley is the author of Much Ado About Corona, All The Humans Are Sleeping and other works of philosophical fiction that are "so completely engaging that you find yourself alternately laughing, gasping, hanging on for dear life." Get free samples of his stories by becoming a Blazing Pine Cone email subscriber.